After the devastation of World War I, many artists and their works were lost. Those who remained often reverted to traditional styles as a form of artistic healing and continuity.
Pablo Picasso, who had been heavily involved in Cubism, was no exception. As the war drew to a close, Picasso visited Italy, where he was deeply influenced by the works of Raphael and Ingres. Inspired by these classical styles, he began to paint in a more traditional manner once again.
Curtain for the ballet (1917)
One notable piece from this period is a 1917 painting of a woman in a Spanish dress, rendered with bold outlines and a pointillist technique. This work bears some resemblance to Henri Matisse’s pointillist paintings but stands out with its strong lines and vivid Spanish colors. This painting, in particular, is among my personal favorites of Picasso’s works, even surpassing the appeal of Matisse’s pointillist pieces.
Woman with Spanish dress (1917)
Picasso’s foray into Neoclassical painting was brief. By around 1919, he began to shift towards creating surreal, otherworldly images. This marked a significant transition in his career:
Previously known for: **Picasso = Cubism**
He now became associated with: **Picasso = Surrealism**
Surrealism in Picasso’s work often involved depicting human faces with both profile and frontal views merged into one image. These compositions were impossible in reality, showcasing a blend of perspectives that created a new, unique artistic domain. This approach allowed Picasso to pioneer an entirely new artistic territory, setting him apart from his contemporaries once again.
Olga (1923)
Figures at the seaside (1932)
The Kiss (1925)
Picasso's surrealist paintings continued for about ten years from 1919, becoming more refined and simplified over time.
When I look closely at Picasso's surrealist paintings, I see many faces. If a single face shows both profiles, does it symbolize duality?
Women who seek money while offering smiles and love?
Or Picasso himself, who gave money and love but also inflicted abuse?
Picasso, a genius with an incomprehensible life, seems to fit perfectly with surrealism, regardless of the original meaning.
Nude, green leaves and bust (1932)
Dora Maar (1937)
a Dream (1932)
Girl in front of mirror (1932)
